Pampin, Juan Carlos 1967- (Nombre personal)

"Metal hurlant for metallic percussion and computer generated sounds" http://viaf.org/viaf/317033532/#Pampin,_Juan_Carlos El arte electrónico, en sus tres facetas (arte sonoro, videoarte y arte cibernético), se presenta en Arco bajo muy diversas obras y tendencias. Encontramos, por ejemplo, postales sonoras en Horizontal radio (ORF, 1996) y Rivers & bridges ( 1996), selecciones ambas de las últimas producciones de autores españoles y extranjeros. Cultura del altavoz y cultura del micrófono, pasada por la tecnología digital, como lo entienden Leopoldo Amigo, Pablo Cetta, Juan Carlos Pampin, Eduardo Polonio, Francesco Boschetto, José Manuel Berenguer o Gerald Bennet, entre otros, que presentan sus obras sonoras de corte vanguardista, creaciones y residuos acústicos convenientemente manipulados.

Juan Pampin (b. Buenos Aires, 1967) is Associate Professor of composition at University of Washington and founding faculty member of the Center for Digital Arts and Experimental Media (DXARTS) for which he currently serves as Associate Director. Pampin received an MA in Composition from Conservatoire National Supérieur de Musique de Lyon, France and a DMA in Composition from Stanford University, where he studied with composer Jonathan Harvey. Juan Pampin's works explore the territory articulated by the concepts of space, memory, and material, using algorithmic composition and signal processing tools of his own development. Juan Pampin's music compositions, including works for instrumental, digital, and mixed media, have been performed around the world by world-class soloists and ensembles... https://music.washington.edu/people/juan-pampin